TUTORIAL VIDEOS
Zone Focusing
In this video you will learn the basics of Zone Focusing in Street Photography. To capture the "Decisive Moment" you need to be fast; and nothing is faster than not having to focus at all.
3 C's Of Visual Storytelling
In this video you will learn the three basic principles of visual storytelling. Camera, Context, and Character.
Hiding in Plain Sight
In this video you will learn how to "Hide in Plain Sight" in Street Photography. This technique allows you to get very close to your subjects without influencing their behavior.
Safety
In this video you will learn all about personal "Safety" in Street Photography. The video covers three techniques (Tape, Strap, and Presentation) that will help you stay safe on the streets.
DOCUMENTS AND ARTICLES
Raw Capture, Linear Gamma and Exposure
by Bruce Fraser
Optimizing Exposure
By Michael Reichmann
Zone System Print Chart
By David Coleman Photography
3 C's of Visual Storytelling
By David Coleman Photography
Hyperfocal Photography Settings
By David Coleman Photography
Exposure Triangle Card
By David Coleman Photography
Creating a Photo Essay
By David Coleman Photography
Architecture Photo Workshop
By David Coleman Photography
Exposing to the Right Explained
By Spencer Cox
San Francisco's Privately Owned Public Open Spaces (POPOS)
Zone System Usage (Luminance & RGB)
By David Coleman Photography
Zone Focusing Settings
By David Coleman Photography
Flash Photography Settings
By David Coleman Photography
Printing Companies Comparison Chart
By David Coleman Photography
Digital Sensor Crop Factor
By David Coleman Photography
How to Calculate Print Resolution
By David Coleman Photography
THE PHOTOGRAPHER'S RIGHTS
These guides are not intended to be legal advice. I am not a lawyer. I have not had legal training. Readers should seek the advice of a competent attorney when they need legal advice regarding a specific situation.
The Ten Legal Commandments of Photography
Legal Rights of Photographers
By Andrew C. Kantor
The Photographer's Right
By Bert P. Krages II
